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The 1960s




It is to de-ball the plays; to castrate them; to smooth down all the rough edges so they can’t cut, can’t hurt. It’s to make them commercially tolerable to a smug audience. It’s not to make the plays any better.
— Edward Albee, on the playwrighting programs being offered by theater companies in the 1960s, and why he began the Playwrights Unit

1969

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To Be Young, Gifted and Black

by Lorraine Hansberry
directed by Gene Frankel
presented by Harry Belafonte

with Barbara Baxley, Rita Gardner, Janet League, Cicely Tyson, John Beal, Gertrude Jeanette, Micki Grant, Stephen Strimpell and Andre Womble

Merrill Sindler Set Designer
Barry Arnold Lighting Designer
Gigi Cascio Sound Designer
Stuart Bigger Visual Effects
Joseph Beruh General Manager
Cheryl Sue Dolby Press Representative
Max Eisen Press Representative
William Eaton Musical Supervision
Charlotte ZaltzbergConsultant

First presented on January 2, 1969

(L-R) Cicely Tyson, James Baldwin, Arthur Mitchell, and Harry Belafonte, photo by Ron Galella

 
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Love Your Crooked Neighbor

by Harold J. Chapler
directed by Sidney Walters
music by John Brancati

with Dale Berg , Cara Duff-MacCormick, David Kerman, Donald Warfield, Robert Weil

Fred Sammut, Set Designer/ Robert Anderson, Costume Designer/ Chuck Vincent, Lighting Designer/ Max Eisen, Press Representative

Sarah Beldner & Lois Wahl, Producers


1968

Triple Play - Three One Acts

I SAW A MONKEY
by Randolph Carter

SAVE IT FOR YOUR DEATHBED
by Randolph Carter

THE LATE LATE SHOW
by Randolph Carter

 
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Now

by George Hainsoh, John Aman and the cast

 
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Saved

by Edward Bond
directed by Alan Schneider


1967

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A Double Bill: Basement and Fragments

BASEMENT
by Murray Schisgal
directed by Larry Arrick
produced by Edgar Lansbury and Marc Merson
with Gene Hackman, Sylvia Gassell and James Coco

FRAGMENTS
by Murray Schisgal
directed by Larry Arick
produced by Edgar Lansbury and Marc Merson
with Gene Hackman, Tresa Hughes, Humbert Allen Astredo and James Coco

(Gene Hackman, Humbert Allen Astredo and James Coco pictured)

 
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The Rimers of Eldritch

by Lanford Wilson
directed by Michael Kahn
with Don Scardino, Dena Dietrich, Ruth Manning and Susan Tyrrell

 
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In Circles

by Gertrude Stein
music by Al Carmines

 
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The Party on Greenwich Avenue

by Grandin Conover
directed by Richard Altman

with Clarence Williams III and Joyce Aaron

(photo of set design by designer Rouben Ter-Arutunian for the Broadway play The Party on Greenwich Avenue which appeared at the Cherry Lane Theater in 1967. Ter-Arutunian was born in Eastern Europe and studied in Berlin. He was a designer for the Dresden Opera and the Vienna State Opera before emigrating to the U.S. in 1951. In New York Ter-Arutunian became a prolific and influential designer for opera, ballet, and theater. He was the designer for the legendary Balanchine production of the New York City Ballet's Nutcracker, won a Tony award for Redhead in 1959, created numerous addtional designs for Balanchine, and designed for Martha Graham. More drawings are below.)


1966

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Night of the Dunce

by Frank Gagliano
directed by Joseph Hardy
with James Noble, Elaine Hyman, Robert Salvio, Anne Revere, Tony Musante, Alfred Hinkley, Terry Kiser, Salem Ludwig

 
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The Butter and Egg Man

by George S. Kaufman
directed by Burt Shevelove

with Tyne Daly


 
 

The Happy Journey to Trenton and Camden
by Thornton Wilder
directed by Michael Kahn

The Long Christmas Dinner
by Thornton Wilder
directed by Michael Kahn

Queen of France
by Thornton Wilder
directed by Michael Kahn

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Life & Death

by Edward Albee

 
 
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Postcards

by James Prideaux
directed by Richard Barr

 
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Duet for Three

by Lawrence Weinberg
with Rue McClanahan

 
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Big Man

by Lawrence Weinberg
with Rue McClanahan (pictured)

 
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Rooms: A Double-bill

BETTER LUCK NEXT TIME
by Stanley Mann

A WALK IN DARK PLACES
by Stanley Mann
with James Broderick, Shirley Knight & Irene Dailey


1965

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Second Evening
of New Playwrights

PIGEONS
by Lawrence Osgood
directed by Edward Parone
with Geraldine Fitzgerald

CONERICO WAS HERE TO STAY
by Frank Gagliano (pictured)
directed by Joseph Hardy
with James Noble, Elaine Hyman, Robert Salvio, Anne Revere, Tony Musante, Alfred Hinckley, Terry Kiser and Salem Ludwig

 
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Third Evening of New Playwrights

HUNTING THE JINGO BIRD
by Kenneth Pressman
directed by Chuck Gnys

LOVEY
by Joseph Morgenstern
with James Coco

DO NOT PASS GO
by Charles Nolte
directed by Alan Schneider

THAT THING AT THE CHERRY LANE
by Jeff Steve Harris
with Jo Anne Worley

THE ZOO STORY
by Edward Albee
directed by Alan Schneider
George Bartenieff played the role of Jerry

KRAPP'S LAST TAPE
by Samuel Beckett
directed by Alan Schneider
George Bartenieff played the role of Krapp

HAPPY DAYS
by Samuel Beckett

THE DEATH OF BESSIE SMITH
by Edward Albee

A LESSON IN DEAD LANGUAGE
Adrienne Kennedy

GOOD DAY
by Emanuel Peluso
with Frank Langella & Nancy Marchand

THE EXHAUSTION OF OUR SON'S LOVE
by Jerome Max

Good Day and The Exhaustion of Our Son’s Love both received Obies.

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The Rape of Bunny Stuntz

by A.R. Gurney

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First Evening of New Playwrights

UP TO THURSDAY
by Sam Shepard
directed by Chuck Gnys
with Harvey Keitel and Joyce Aaron

BALLS
by Paul Foster
with Shirley Stoler

HOME FREE!
by Lanford Wilson
with Michael Warren Powell

UP TO THRUSDAY…The title comes from Sam's reaction to being drafted and feeling a deadline on freedom. He explains, "The play is a series of reactions that become combustible, but I really don't consider it a 'play' at all." He was also quoted as sa…

UP TO THRUSDAY…The title comes from Sam's reaction to being drafted and feeling a deadline on freedom. He explains, "The play is a series of reactions that become combustible, but I really don't consider it a 'play' at all." He was also quoted as saying this play was "a bad exercise in absurdity".


1964

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The Giants’ Dance

by Otis Bigelow
directed by Jack Sydow
produced by Richard Barr and Clinton Wilder

with Leonard Drum, Alice Drummond, Bill Fletcher, Kelly Jean Peters, Dillon Evans, Boris Tumarin, Wyman Pendleton, Terrence Scammell and Herbert Voland

 
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Three at the Cherry Lane

PLAY
by Samuel Beckett
with Alice Drummond, Marian Reardon, and Ray Stewart
directed by Alan Schneider

THE TWO EXECTIONERS
by Fernando Arrabal
directed by Edward Parone
with Ron Mack, Peter Michaels, Marian Reardon, David Spielberg, George Anderson and Charles Kindl

DUTCHMAN
by LeRoi Jones
directed by Edward Parone
with Robert Hooks and Jennifer West

 
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The Lover

by Harold Pinter
directed by Alan Schneider
with Hilda Brawner, Michael Lipton, and Charles Kindl

 
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The Burial Committee

by Otoway Crockett
directed by Andre Gregory


1963

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Performance by Moni Yakim And Company

The father of modern mime, Moni Yakim (Etienne Decroux) performs with his company. The filmed event includes:
Passage of Men through Earth (entire company)
Lance Thrusts (Sterling Jensen and Moni Yakim)
Duo of Love (Moni and Mina Yakim)
The Trees (Sterling Jensen, Jewel Walker, Moni Yakim)

 
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The American Dream
by Edward Albee

Zoo Story
by Edward Albee
directed by Richard Barr

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This Side of the Door

by Terrence McNally
directed by Martin Fried
With Estelle Parsons and William Traylor

(Terrence McNally and Edward Albee, pictured)

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Ex-Miss Copper
Queen On A Set Of Pills

by Megan Terry


1962

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The Pinter Plays

THE DUMBWAITER

& THE COLLECTION

by Harold Pinter
directed by Alan Schneider

 

 

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Mrs Dally Has a Lover & Whisper Into My Good Ear

by William Hanley
directed by Richard Altman

with Roberts Blossom, Robert Drivas, Estelle Parsons, Boris Tumarin

William Ritman, Design/ Michael Kasdan, General Manager/ Howard Atlee, Judith S. Davidson, Michael Sean O'Shea, Press Representative/ John Actman and Tony Musante, Stage Manager

Theatre 1963, Richard Barr, Clinton Wilder: Producer

 

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THE DEATH OF BESSIE SMITH
by Edward Albee

THE AMERICAN DREAM
by Edward Albee

Playwrights 1962, series 2

Chit Chat On A Rat
by C. Skirivanek Atherton

A Toy For The Clowns
by Gene Feist

Prometheus Bound
by Lawrence Wunderlich

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Theatre of the Absurd

by Samuel Beckett, Kenneth Koch, Jack Richardson, Edward Albee, Jean Genet, Fernando Arrabal, and Eugene Ionesco

Produced by Theater 1962, Richard Barr and Clinton Wilder

All productions designed by William Ritman
General Manager: Michael Kasdan
Stage Manager: Joseph Kapfer

ENDGAME
by Samuel Beckett
directed by Alan Schneider
with Ben Piazza, Vincent Gardenia, John C. Becher, Sudie Bond

BERTHA
by Kenneth Koch
directed by Nicola Cernovich
music by Virgil Thompson
sets and costumes by Remy Charlip
with John C. Becher, Sudie Bond, Vincent Romeo, Mylo Quam, M.J. Grimaldi, Alice Drummond Tone Musante

GALLOWS HUMOR
by Jack Richardson
with Arthur Anderson, Alice Drummond

THE SANDBOX
by Edward Albee
with John C. Becher, Sudie Bond, Jane Hoffman, Vincent Romeo

DEATHWATCH
by Jean Genet
with Mylo Quam, Vincent Romeo

PICNIC ON THE BATTLEFIELD
by by Fernando Arrabal

THE AMERICAN DREAM & THE ZOO STORY
by Edward Albee
directed by Alan Schneider
with Jared Barclay, Sudie Bond, Alice Drummond, Jane Hoffman, David Hooks

THE KILLER
by Eugene Ionesco
directed by Richard Barr

 
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Little Mary Sunshine

Book, music, lyrics, and directed by Rick Besoyan

with Margaret Hall, Richard Charles Hoh, Janice Mars, Leonard Frye, and Kenneth MacMillan

 

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A Stage Affair

Written and directed by Paul Crabtree

with Carleton Carpenter Maryann Gudzin, Richard Higgs, Louise King, Tom Pedi

Barry C. Tuttle, Producer



1961

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HAPPY DAYS
by Samuel Beckett
directed by Alan Schneider

World Premiere with Ruth White (pictured) and John C. Becher

production designed by William Ritman

Revived in 2002 by Cherry Lane Theatre as part of our Heritage Series. Directed by Joseph Chaikin.

 
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SMILING THE BOY FELL DEAD

Ira Wallach, Book
Sheldon Harnick, Lyricist
David Baker, Composer
Theodore Mann, Director
Julian Stein, Musical Director

With Lucinda Abbey, Russell Bailey, Ted Beniades, Claiborne Cary, Gino Conforti, Dodo Denney, Charles Goff Dean, Justine Johnston, Louise Larabee, Phil Leeds, Joseph Macaulay, Danny Meehan, Heinz Neumann, Geraine Richards, Joseph Schaeffer, Irene Siegfried, Warren Wade

Helen Pond, Set Designer/ Herbert Senn, Set Designer/ Theoni V. Aldredge, Costume Designer/ David Hays, Lighting Designer/ Max Gendel, Press Representative/ Gerald Feil, Stage Manager/ Julian Stein, Vocal Arrangements

George Kogel, Theodore Mann Producers


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The Tiger Rag, A Musical Chronicle

by Seyril Schcchen
music by Kenneth Gaburo
directed by Ella Gerber
choreography by Peter Conlow.

with Patricia Roe (pictured), Logan Ramsey, Carlton Colyer, Brennan Moore, Nancy Andrews, etc.

Produced by Lorin Ellington Price


1960

 

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The Sudden End Of Anne Cinquefoil

by Richard Hepburn
staged by Jack Sydow

with Priscilla Morel



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The Pretender

by Lionel Abel
directed by Herbert Machiz

with James Earl Jones and Roscoe Lee Browne

produced by Frank Perry


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Gay Divorce

Book By Dwight Taylor
Music And Lyrics By Cole Porter

Frank Aletter, Judy Johnson, Beatrice Arthur, Mary Jane Doerr, Arny Freeman, Emory Bass And Skedge Miller And Featured Adele Aron, Gaylynn Baker, Jeanne Rogers, Kathi Dean, Kay Brower, Sigyn, Tony Aylward And Charles Davisson

Sets Designed By Helen Pond And Herbert Senn; Costumes Designed By Ann Roth; Choreographed By Joan Mann; Directed By Gus Schirmer, Jr.; Produced By Noel Behn And The New Princess Company



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